Chickens Do Come Home to Roost

With the LeCrae release,  Nutthin’ we are reminded again of what rap music has become. Historically it has been a means of expression discussing all things, political, social, love, hate, violence and so forth.  However, today much of what we get is different means of describing sex, drugs and murder– the same madness rehashed. Now I am going to sound like an “old head,” but Hip Hop music should be about your feelings, stories and issues that are important not just the most devious and base qualities we possess.  mark1615 logo

In 1986 when 2 Live Crew released 2 Live Crew is Who We Are, there was a nationwide firestorm and wave of attention.  They had taken nastiness in music to a place it had not been before or at least so popularly.  Record shop owners got arrested for selling the album to minors, the media was in a frenzy, and everyone was awestruck by the level of nastiness they packaged and presented as rap– it was musical porn.  Almost thirty years later we have had the (mis) fortune of having popular hip hop songs such as Kim by Eminem, Move B**** by Ludacris,  Ain’t No Fun by Snoop, the Whisper Song — Ying Yang Twins, and a plethora of works that I cannot even write the title of in this forum because of the offensive language in the title.

We hear that art imitates life, and that many artists, not just hip hop artists write about what they see and know.  This is not meant as a self righteous diatribe against these artists, but how are these songs of any value, how are they doing anything but perpetuating the evil, the debauchery that we innately know is depraved. What do we expect to result from the barrage that our media, particularly music has launched.  You cannot tell me that if you are inundated with messages of depravity, that you will not yourself be morally minimized.  With an emptying of our moral tank, our behaviors are undoubtedly affected. Art does imitate life, however, life is more than just the sex, money, murder and mayhem with which today’s music is over-run.

I recently read an article titled, “ Eminem Terrified As Daughter Begins Dating Man Raised On His Music.”  I think the title says it all, but the gist of it is that his daughter was dating a young man who had grown up listening to him, Dre, Snoop and other MCs rapping about perverse sexual acts against women. Eminem himself said, he seriously doubts anyone who likes the song “Kill You,” where he brutally describes killing a woman and hiding her in a closet, could ever be a decent person.  “His favorite song is ‘Superman’—a track where I said I was going to put anthrax on a girl’s tampon and slap her until she can’t stand,” said Eminem, adding he could only imagine the types of drugs and alcohol songs like “Purple Pills” and “Crack A Bottle” had led him to do. “He better not think he can get away with all this stuff with Hailie. Or maybe he does. I mean, this is a guy who was listening to me rap about beating women ever since he was just a kid.”

In Galatians 6:7 Paul wrote, “Do not be deceived: God is not mocked, for whatever one sows, that will he also reap.”  This verse simply means that if we plant an apple seed we will yield apples.  If we plant a seed of love– love will flourish, and the same for hate.  If one puts out violence, one is likely going to see it return.  Malcolm X infamously referred to the death of JFK as chickens coming home to roost.  Though his statement was in bad taste, his point was well understood.  Chickens do come home to roost.  The notion of bad deeds coming back to haunt their originator is long established in the and was expressed in print as early as 1390, when Geoffrey Chaucer wrote it in The Parson’s Tale, “And ofte tyme swich cursynge wrongfully retorneth agayn to hym that curseth, as a bryd that retorneth agayn to his owene nest.”

We want our babies, our boys and girls to grow up to be respectful, respectable, assets to society, individuals who love one another, who love God. If we reap what we sow, what does that mean we must do?  We must posit in them the ingredients that will deliver what we desire.  Songs such as Beauty Queen by Serge, Today by Gemstones, and a personal favorite, Man Up Anthem by 116 in contrast to Kill You, accomplish such.  The tie that binds these songs is that they describe and laud behavior and qualities that is representative of qualities Christ exhibited and explained, humility, love for one’s fellow man and woman and shedding behaviors revered by the world, but reviled by God.   If these are the qualities that are promoted in their music, these artists will do nothing but promote these qualities.

Hip Hop is not to blame for the murderous scale in Chicago, teen pregnancy, and drug abuse. These were all societal problems before 1975.  However the constant stream of works by contemporary favorites has made what was unique when 2 Live Crew was applauded and appalling, the new standard. The result is that we are immune to the barrage of four letter words, degrading metaphors, and disrespectful phrases, to the point that Eminem’s daughter’s boyfriend feels comfortable admitting to him that Kill You is one of his favorite songs.  Though Hip Hop is not to blame, it is a contributor because you reap what you sow.  I am such a fan of good Christian Hip Hop because its artists strive to let no corrupting talk come out of their mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear.


Hip Hop Has a Place in the Church!?!?

The Psalms were written in terms that are contemporary for when they were written. David wrote in Psalm 33, “Praise the Lord with the harp; make music to him on the ten-stringed lyre.” Many of the Psalms were written by David, and the instruments of his day were the flute, harp, lyre and tambourine.  So it only fits that the instruments and sounds he referenced were those with which he and his peers were familiar. 

If he had written in the roaring twenties, the stringed lyre and harp would have been a bass guitar, trumpet and piano with a bee-bop sound.  If he had written in the rapper vector illustration -sixties, it would have been an electric guitar and drums or a Motown sound.  So today, why can’t it be two turntables and a mic!!! 


In Love……
 (to be continued)


Born in 1975 and raised in East Orange, NJ, Rappers Delight, the Breaks and the Message were my nursery rhymes.  I remember literally skipping home from school in kindergarten screaming these urban anthems from the Sugarhill Gang, Grandmaster Flash and Kurtis Blow.  I remember listening intently to the radio while in the second grade for the next song to drop in the Roxanne wars and arguing about which song was the freshest… was UTFO going to reply to the Real Roxanne, was Roxanne Shante going to rip another single, was Sparky D going to jump in again as an outsider to the fray.  Ralph McDaniels and Video Music Box was my Walter Cronkite and the evening news every day after school as we tuned into the UHF channel to check out the new Kid N Play, Salt N Pepa, Run DMC or Whodini videos. Mr. Magic, Red Alert, and Marley Marl kept me up many a Friday and Saturday night, as I recorded their latest master mixes including everyone from Doug E Fresh to Kool Moe Dee, to the Geto Boys and NWA.   My youth was not just influenced by Hip Hop, but Hip Hop was spliced into my DNA.

In my opinion the golden era ran from the late 80s to the early 90s and included, Blacksheep’s Flavor of the Month, De La Soul’s 3 Feet High…, and Buhloone Mindstate, the first three Tribe Called Quest albums, Public Enemy’s, It takes a Nation of Millions and Fear of a Black Planet, five albums from Boogie Down Productions, EPMD’s Strictly and Unfinished Business….the Chronic, Snoop’s Doggystyle, Digable Planet and Pharcyde.  (forgive me to all the awesome artist not mentioned)  PE, Dre, Cube, and others exited the 80s bringing Hip Hop into the 90s and introduced a commentary that was more raw than previously offered.   We also see the emergence of the Roots, Digable Planets told us about being cool, Wu-Tang, infused Shaolin, Pac and Biggie exploded,  Diddy danced and Hip Hop became more than just the anthem of the streets.

Hip Hop grew to a place where we dissed those like Hammer and Vanilla for not being REAL…There were wars between the coasts, and it had expanded from being party anthems and poetic iterations of what was going on in the hood i.e. Slick Rick, Nas  and Too Short to commercial artists such as Rico Suave, Tone Loc and Fred Durst.

I graduated college in 1996 at a time when Dr. Dre was breaking in Eminem, Nelly was on the cusp, Jay Z had reasonable doubts and Lil’ Wayne’s daddy was popping.  I could turn on MTV and see artists spitting lyrics in a video format on par and superior to their rock and pop counterparts.  Michael Jackson had done a song with Biggie, and Will Smith had become a movie star.  Unfortunately, with all of this exposure, the popularity of the styles and the music of my Hip Hop icons was a thing of the past though artist like Slum Village and Little Brother were making music in the vane of the Native Tongue family (Tribe, Dela Soul, Blacksheep, the Jungle Brothers), only anthems of murder, sex, drugs and partying were getting heavy rotation.

Over the last two decades, I have become a married father of five children, an attorney and minister.  I cannot ignore or separate from a culture that is intertwined with my development, however because of the content of most of what is produced today, my fervor about the genre has faded from “100 miles and running” to “you gots to chill.”   Frankly, how many times and ways can you listen to how someone is going to murder, sell drugs, stack chips and have sex. Once upon a time there was a range of experiences narrated in Hip Hop, which some times broke the boundaries of mere decency, but today, the balance of what is produced is musical porn.  Though I love my relationship with the music, and our history together, I had to get a divorce–  “I Used to Love Her.”  Maybe I am just getting old, but I am also getting wiser.

Like any person who has had a great relationship that is no longer moving along, I sought a replacement.  I love neo-soul, some rock and jazz, but none could fill the void that the art form that I grew up with filled.  I remember a homeboy of mine had told me a few years ago about gospel hip hop and all I could think was I had heard some guys before, but they were corny so I did not even think to give it a shot.

…..I don’t remember the exact day, but I remember being hyped by this spoken word piece called “The Gospel.”  It’s  4 minutes  that take  you from Genesis to the Revelation done incredibly by Propaganda.   I heard this then did what we all do now– I Googled him and found he had some other pieces of poetry, and he also rapped.  I copped his album, Excellent, and peeped the rest of his label Humble Beast, which includes artists like Odd Thomas, Braille, Theory Hazit and Beautiful Eulogy.  This eclectic crew reminded me of the golden days of Hip Hop, when there were crews such as Uptown, which included much of the Juice Crew, artists like Biz Markie, Mc Shan, and Masta Ace.   It incited me to check for other players in the industry and I came quickly upon Sho Baraka who had just released what some considered a controversial album the Talented Xth. This was my second iTunes Christian Hip Hop purchase, and my music library and choices have never been the same. Instead of simply listening to talk radio, silence or settling for less inspiring music as an alternative to the violence, debauchery and frankly ridiculous hip hop on the airwaves today, my music life had been resurrected.

So over the past two years, I have gone from digging in the crates and ripping old CDs into my amazon and iTunes clouds to downloading  fresh Christian Hip Hop releases and mixtapes.  Because I listen to it, my kids ages 5 through 14 listen to it.  I mention that for perspective, because my musical choices compete with Drake, Katy Perry, and Justin Beiber for their contemporary attention.  However, my oldest asks for me to put on Trip Lee, all of my kids love track 3 on his Good Life album,  I Robot.  W.L.A.K. (We live as kings, featuring SwoopeAlex FaithDre Murray, Christon Gray) currently rules our automobile airwaves with one  and my kids favorites Long Way Down.  I just got turned on to J Givens while attending the Crimson Chord Tour featuring Swoope and Propaganda.  Back in the day I was big fan of Digable Planets and Camp Lo, this brotha, J Givens is every  bit as talented and delivers lyrically with a Christ centered flow that is so chock full that every time I listen to his album, I catch something I did not get the last time.

Trip lee, LeCraeShai LinneKB, Propaganda, Beautiful Eulogy, J Givens, Bizzle are all hot.  GemStones, formerly Lupe Fiasco’s featured man on the Cool has delivered gems with cameos on God Over Money and the Tasha Combs’ song Break Every Chain.  These brothas, Andy MineoSocial Club, Alex Faith, Dre Murray, Swoope and others have given me a new excitement about Hip Hop. and Wade-O Radio keep me abreast of who is hot, who is next and give me a platform to explore if I want to seek something older to hear for the first time.

I started this piece because I Used to Lover Her, I met this girl when I was five years old…. But by the time I was 30, the relationship started to grow cold.  But I met her sister when I was 37 and the focus of her verses lead you “All the Way to Heaven.”  I am not one who likes pop music because to me most of it lacks soul and substance.  My new found love for Christian Hip has several layers.  The content of the music is the Gospel, the messages are not just positive and about God, but the best one’s point you to Christ, force you to think and feel about something in your life and like secular hip hop, there are club bangers such as, 116’s Man Up, Trip Lee’s I’m Good, and KB’s Zone Out, outstanding lyrics, i.e. J Givens’ Bienvenue, anything on Shai Linne’s Lyrical Theology 1 and 2 and the variety is as immense as its secular cousin.

Because of the variety in Christian Hip Hop, I need not settle for the content that is produced in the mainstream that may sound good at times, but may hurt my heart,  my ears, and mind to truly feel and understand the insanity of the misguided messages of immoral hedonistic and unruly behaviors that are touted.  Point blank, if you are a fan of quality Hip Hop, poetry, spoken word or any art form that espouses the Gospel, there are a substantial number of artists who produce music on par with anything  Kanye, Jay Z or Lil Wayne release.  I have come to realize that what we let in affects us  and definitely determines what we put out.   Christian Hip Hop is an awesome vehicle for me to receive and in turn benefit from and share the Gospel, while nodding my head and enjoying the music.  Today, I do not skip down the street yelling nursing rhymes, but I sit in my office listening to J Givens, Propaganda, and Swoope.